Friends of PM Press, September 2014 Edition

This month I received:

  • Abolish Work: “Abolish Restaurants” plus “Work, Community, Politics, War,” by prole.info, co-published with Thought Crime Ink. prole.info’s stuff is probably best summed up as accessible, intense class theory with starkly beautiful illustrations. Even when I don’t agree with their analysis, I’m always impressed with what they put out. I’m not a huge fan of Abolish Restaurants, but I’m glad that the discussion is happening.
  • Blood Lake, by Kenneth Wishnia. This is the fifth, and as of yet, final book in his Filomena Buscarsela mystery series, though I am holding out hope for more. If the previous books are anything to go on, this will almost having me wishing that my commute was longer so that I could keep reading.
  • Burning Britain: The History of UK Punk, 1980- 1984, by Ian Glasper. This book is split into chapters by region, and then within each chapter, broken down by individual bands. It is long and the print is tiny.
  • Who’s Afraid of the Black Blocs?: Anarchy in Action Around the World, by Francis Dupis-Déri, translated by Lazer Lederhendler. Originally published as Les Black Blocs. La liberté st l’égalité se manifestent by Montréal’s Lux Éditeur in 2007, with the first English language edition coming from Between the Lines in Toronto last year. This is currently the definitive book on looking past the “smashy smashy” and into the theory and history of the black bloc.

More information about the Friends of PM Press is available here.

Book Review: Murder in the Collective

Last summer, a friend’s mom gave me a copy of Murder in the Collective, by Barbara Wilson, after I was venting about interpersonal difficulties in a political collective. She and her fellow collective house members left around their house back in the 1980’s to remind one person living there that he might not want to temp fate.

The story was engaging. The characters were believable, reminding me of people I have met. The premise is that there’s a mixed-gender printing coop and a lesbian-only type setting coop that are somewhat at odds but may be about to merge. There are contentious meetings, larger movement conflicts, and complicated inter-person dynamics as the background to a murder mystery solved by Pam Nilsen, graduate student-come-collective member-come-amateur detective. The ending was slightly rushed, but creative and surprising. The book recognizes and skillfully plays with movement dynamics, interpersonal dynamics, and conflicts along the lines of gender, class, race, sexual orientation, and family background.

The story opens up beautifully. I keep finding myself unable to say more about the book because I don’t want to spoil any of the surprises. There’s big-p-politcs and little-p-politics, the mundane mixed with geopolitical intrigue, and a villain who confirms our deepest fears without painting the future as hopeless. It isn’t the best murder mystery I’ve ever read, but I’ll definitely be passing the book on my pulpy mystery loving, social justice focused friends with a hearty recommendation.